When learning how to play the seven major modes on the guitar, most of us begin with the Ionian mode then move on to Dorian and progress up the fretboard in this way until we’ve learned all seven positions of the major scale.
While this can be an effective way of learning modes, in this lesson
you will learn a shortcut that will allow you to quickly and easily
learn all seven modes by starting with Lydian and simply lowering one
note at a time until you can play all seven modes on the fretboard.
When learning the modes in this way, by changing one note between
each subsequent mode, you will practice them out of the normal order.
Here is the normal order of the major modes for review.
When working them from the one-note changing perspective, you wind up with this order of modes.
Start by learning the modes, memorizing them in the new order so you
can use the one-note changing method. From there, you can go back and
play them in the original order when putting them together in one key on
Doing things this way will allow you to quickly learn the modes and
then bring them back into normal order, rather than learning them as
seven distinct fingerings in normal order from the beginning.
A quick note about the chord grids below. There are three colors on each grid, here is the legend for those colors.
Red: Root note for that mode
Black: Static notes between the last mode and this mode
Blue: The one note that has been moved from the previous mode to form the new mode you are playing.
So, now that you know a bit about the concept we're exploring today, let’s take it to the fretboard.
To begin, you are going to learn the Lydian mode, which contains one
sharp in its construction, the #4. This is going to be the base mode for
all seven shapes, so make sure to get this shape down comfortably
before moving on to the next mode in the system.
Now you will take the Lydian mode you just learned and alter one note
to form the Ionian mode. In this case, you will lower the 4th note of
Lydian to produce the Ionian fingering.
Continuing on to the final major-based mode, you will now alter the
Ionian mode by one note to form a Mixolydian mode fingering. When doing
so, you lower the 7th of Ionian to form the Mixolydian mode.
We can progress to the minor modes now as you alter one note of
Mixolydian to form the Dorian mode. Here, you will lower the 3rd of
Mixolydian to form the Dorian mode fingering.
To form the second minor mode, you will lower one note of Dorian to
produce the Aeolian mode on the fretboard. To do so, you will lower the
6th of Dorian to form the Aeolian fingering.
Next, you will lower one note of Aeolian to form the Phrygian mode.
When doing so, you lower the 5th of Aeolian to form the Phrygian
fingering on the fretboard.
Lastly, you will take the Phrygian mode and lower one note to produce
the Locrian mode. Here, you lower the 2nd note of Phrygian to produce
the Locrian fingering.
As you can see, by starting on Lydian and lowering one note at a
time, you can quickly and easily build and memorize all seven modes of
the major scale on the guitar. Also, you will be able to see and hear
how closely related these modes are, which isn’t always apparent when
learning all seven fingerings on their own in the more traditional
Learning Modes Exercises
Once you've worked out each of these seven major modes on the note G,
you can try out the following exercises to help you solidify these
shapes further in your studies.
01. Play through all three major modes: Lydian-Ionian-Mixolydian from one root note. Repeat in 12 keys.
02. Play through all four minor-based modes: Dorian-Aeolian-Phrygian-Locrian from one root note. Repeat in 12 keys.
03. Play all seven major modes in the order presented at the start of this lesson from one root note. Repeat in all 12 keys.
04. Put on a major chord backing-track, such as G, and solo over this
chord moving between Lydian, Ionian and Mixolydian to hear how these
modes color a major chord in a soloing situation.
05. Repeat this soloing exercise but put on an Am backing track and solo between A Dorian, Aeolian, Phrygian and Locrian.
06. Repeat exercises 4 and 5 in all 12 keys. Then, begin to move between
two chords, so G-C or Am-Dm, and work all seven modes over both of
those chord progressions.